Frantz


Frantz




Set in Germany and France in the immediate aftermath of the First World War, Frantz recalls the mourning period that follows great national tragedies as seen through the eyes of the war’s “lost generation”: Anna (Paula Beer), a bereft young German woman whose fiancé, Frantz, was killed during trench warfare, and Adrien (Pierre Niney), a French veteran of the war who shows up mysteriously in her town, placing flowers on Frantz’s grave. Adrien's presence is met with resistance by the small community still reeling from Germany’s defeat, yet Anna gradually gets closer to the handsome and melancholy young man, as she learns of his deep friendship with Frantz, conjured up in evocative flashbacks. [Music Box Films]

The film was directed by Francois Ozon.

Frantz is in French and German with English Subtitles





Running Time
Rating
113 minutes
14A
Release to DVD: T.B.A.






The Critics Comment

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SanFrancisco Chronicle/Mick LaSalle
This new film is exceptional and one of Ozon’s best.

Justin Chang
It is a cunningly crafted fiction, full of visual artifice and narrative sleight-of-hand, that by the end could hardly feel more sincere.

Entertainment Weekly/Chris Nashawaty
Every one in the film, down to the smallest characters on the fringes, is keeping secrets and spinning lies. And those lies beget more lies and more until the truth is a distant memory. It’s what can happen when life feels too overwhelming and unbearable to face.

The Hollywood Reporter/Boyd van Hoeij
The way in which Ozon again uses mirror images, which reveal the similarities between theFrench and the Germans just after the war, or the way Fanny and Anna come to possibly mirror each other again suggest that a master storyteller is at work.

Screen International/Jonathan Romney
Frantz is arguably one of the straightest films Ozon has made – in both the dramatic and the sexual senses – but his complex sensibilities and fine-tuned irony are very evident in a mature work that transcends genre pastiche to be intellectually stimulating and emotionally satisfying.

Austin Chronicle/Josh Kupecki
The film sucks you in with its exquisite cinematography (shot in lush black-and-white, with a handful of carefully curated moments in color), and a heavy influence of Thirties and Forties Classic Hollywood filming techniques.



Awards





César Awards 11 Nominations: Best Film, Director, Actor, Promising Actress, Writing, Editing, Cinematography, Sound, Music, Production

Sedona International Film Festival Winner: Foreign Language Film

Venice International Film Festival Winner: Best Young Actress

Venice International Film Festival Nomination: Best Film

Nominated or won for 24 International Awards.





Related Links




Internet Movie Database
Rotten Tomatoes
Metacritic
Interview with Director



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